Archive for Heritage

LTTE strikes from air again, this time in Vavuniya

Sri Lanka’s Tamil Tiger rebels bombed a government-controlled town at the rear of the frontline using a light aircraft, military sources said on Tuesday, Sep 9th.

“Three aircraft were seen on radar. One was over Vavuniya and dropped a bomb and went back. There was also an artillery attack into Vavuniya,” said a military official who spoke on condition of anonymity. Two other military officials confirmed the strike.

[File pic]

The joint headquarters of the Sri Lankan forces in Vanni, is situated in Vavuniya town. The attack took place around 2:30 AM on Tuesday, Sep 9th.

The Air Force spokesman told media in Colombo that they believe one Tiger plane was shot down over Mullaithivu while it was returning after bombing Vavuniya.

“The LTTE attempted to launch an attack on our air force base in Vavuniya. On their withdrawal, SLAF (Sri Lankan Air Force) interceptors destroyed one aircraft over Mullaittivu,” air force spokesman Wing Commander Janaka Nanayakkara said.

Media reports quoting sources in Vanni said Sri Lanka Air Force (SLAF) bombers and surveillance aircrafts, stepped up flying missions over Kilinochchi and Mullaiththivu districts from 4:00 a.m., and attacked Poonakari (Pooneryn) and Puthukkudiyiruppu.

Related News Report in Tamil, in Virakesari:

* வவுனியா ஆயுதப்படைகளின் தலைமையகத் தளம் மீது விடுதலைப் புலிகள் எறிகணை வீச்சு. விமானப்படைத் தளம் மீது வான்தாக்குதல்

* வவுனியா இராணுவ தலைமையகம் மீது விடுதலைப் புலிகள் வான், தரைவழி தாக்குதல் நகரம் செயலிழந்து வெறிச்சோடியுள்ளது.

Comments off

Annual Nallur Kumaran festival begins

The annual festival of the historic Nallur Kandaswamy kovil in Jaffna began today, August 6th with the flag-hoisting ceremony.

The festival will take place for twenty-five days with the Chariot festival on August 29 followed by the water-cutting ceremony on August 28.

News reports say Sri Lanka Army has relaxed local curfew rules by about thirty minutes during the festival time.

The Temple situated on the outskirts of Jaffna traces its origin back to A.D 948 and has emerged as one of the most revered Hindu shrines.

Excerpts from Nallur Kumaran Festival Days

Historians have found evidence that the original temple was built in 1248 in Kurukkal Valavu in Nallur at the same location of the present temple. Nallur was then the capital of the Jaffna Kingdom. But in 1450, Parakramabahu the 6th of the Kotte Kingdom, in response to the Arya Chakkaravarthi of Jaffna’s to extend his rule to the South, sent his son Sapumal Kumara to bring the Jaffna Kingdom down to his rule. Sapumal Kumara defeated King Arya Chakkaravarthi, destroyed his palace and the original Nallur temple. But upon becoming Buvaneka Bahu the 6th , he sought to make amends by building a new temple in 1467 at a nearby location, says Shanmugapriya in Nallur Kanthaswamy: A Spiritual Experience.

And centuries later the Portuguese, after fighting witht the kings of the Jaffna Kingdom for more than hundred years, with the death of King Sangilian, captured it in 1620. The Portuguese General Phillip Oliviera used the Nallur temple as a fort.

During Dutch rule, the new temple was built in the same place in Kurukkal Valavu,as the original place.The main shrine has deity Vel, but later a statue of Lord Murugan was installed.

Further the Nallur festival of old days took place in the nights, with the procession carrying the deity preceded by women clad in shimmering outfits dancing to the beat of gigantic drums. The streets of Nallur were illuminated with flame of torches and lamps.

Comments off

Kamal Hassan’s magnum opus a hit with fans in Sri Lanka

Kamal Hassan’s mega cine creation, Dasavatharam is breaking box office records in Sri Lanka.

In Colombo the blockbuster is now showing at Cine City (Maradana), Liberty (Kollupitiya) Savoy (Wellawatta) and Samantha (Dematagoda) and several other locations around the country.

All the movie houses are showing with full houses for several days now, winning praise from all movie goers.

[Kamal Hassan emboldened the phrase “Humanity Ashore”, in the aftermath of the catastrophe of Dec 26th, 2004: A Song from the movie & A slide show marks the release of Dasavatharam, featuring slides from Sri Lanka]

Here is what Ramesh Kandasamy compiled, in the ‘Kollywood Life’ section of Colombo newspaper Daily Mirror’s June 24th edition:

Dasavatharam, which was under production for almost two years, has finally hit the marquee and in style. Kamal and the marvel of technology rule this venture of Aascar Films directed by K S Ravikumar who has packaged Kamal’s dream with aplomb.

It would be an uphill task in understanding Dasavatharam if one does not pay adequate attention to the opening stadium scene where Kamal as scientist Govinda Ramasamy, renders an acceptance speech for all the praise he receives. The ensuing 12th century sequences will not fall into place if one does not concentrate on this scene.

Kamal as Rangarajan Nambi, in a gravity-defying movement, flies from the bottom of the statue and thrashes the baddies who are involved in removing the Lord Ranganathar idol. Napoleon plays Kulothunga Chozhan who is an ardent devotee of Lord Shiva. He agrees to pardon Kamal if he just chants Om Nama Shivaya but the latter meets his watery grave by saying Om Namo Narayanaya along with the idol.

Sharpness of dialogues exchanged between Kamal’s family and Napoleon in this scene is commendable and a testimony to the clashes between Saivism and Vaishnavism that persisted in those earlier times. Napoleon, albeit in a small role, dazzles in his performance as the Saivite King. His arrogant countenance and ‘mightier than thou’ body language reiterate the experience of this veteran star in filmdom.

Cut to the present time again: Govinda Ramasamy (Kamal) is a scientist working in America, researching the components of biological warfare which are potent enough to wipe out the human race. The story that follows shows Kamal in a race to save mankind from the hands of his superior who purloins this dangerous chemical. His struggle begins in America and ends in Chennai on the 26th of December 2004 - during the tsunami.

Out of the ten Kamals, the first one who walks away with plaudits is Indian RAW agent Balram Naidu who is presented with little make up. His Telugu dialogues are enjoyable and remind us of the SPB of Guna. Next is Boovaraghan with his Nellai Tamil. His body language is exemplary. The Japanese kung fu exponent comes third in this avatar race with limited dialogues and moderate make-up. The remaining Kamals fail to make an impression.

The theatre broke into raptures when the American Kamal asks the Japanese Kamal if he remembers Hiroshima to which the Japanese Kamal counters with, ‘Do you remember Pearl harbour?’ Dialogue writing in the movie needs to be singled out. In short Dasavatharam is a make-up magic.

“The sea took away human lives but left humanity ashore, its time now to show humanity” - Padmashree Kamal Hassan, Actor - Producer - Director

Related: An intriguing connection between the 10 avatars of Lord Narayana and the film Dasavatharam

Comments off

Thai Pongal: The Tamil thanksgiving festival

This article is published celebrating Thai Pongal, January 14-15, 2008:

By Kumar Punithavel
[monsoonJournal.com]

Pongal is an ancient festival of the Tamils living in South India and Sri Lanka. It is not known exactly when the Tamils began celebrating the festival, but some historians identify it with the Thai Niradal, believed to have been celebrated during the Sangam Age (200 B.C. to 300 A.D). Pongal, a traditional Tamilian food item that has found a place on the menu of Indian restaurants across the globe, is perhaps the only dish to have lent its name to a festival and got eternal fame!

As part of the festivities, maidens of the Sangam era observed penance (Pavai nonbu) during the Tamil month of Margazhi (December-January). Throughout the month, they avoided milk and milk products. They would not oil their hair and refrained from using harsh words while speaking.

On the day of Pongal, the women have their ceremonial baths early in the morning. The bath will be followed by worship of the image of Goddess Kalayani, which is carved out of sand. They end their penance on the first day of the month of Thai (January-February). This penance was performed in order to bring abundant rains and agricultural prosperity for the country.

Thai Niradal was a major festival during the reign of the Pallavas (4th to 8th Century A.D.). Andal’s Tiruppavai and Manickavachakar’s Tiruvembavai vividly describe the festival. According to an inscription found in the Veeraraghava temple at Tiruvallur, the Chola king Kulouttunga had made gift of lands to the temple especially for the Pongal celebrations.

Pongal or Thai Pongal is also called Makara Sankaranthi, since it is celebrated on the first day of Thai when the Sun enters the Makara Rasi (Capricornus). This signals the end of winter and the onset of spring throughout the Northern Hemisphere. For the next six months, the days are longer and warmer.

This period of six months is called as Uttarayna Punyakalam and is considered auspicious. Legend has it that the Devas wake up after a six-month long slumber during this period. So it is believed that those who die during Uttarayana attain salvation. In fact, Bheeshma in the Mahabaratha is believed to have waited for the dawn of Uttarayana before he gave up his life.

Pongal is a four-day affair. The Bhogi is celebrated on the last day of the month of Margazhi. On this day, people decorate their homes. New vessels are bought and old and unwanted things burnt. Of late, environmentalists have pointed out that these bonfires pollute the atmosphere. And often, flights in and out of Chennai are delayed due to poor visibility because of the smog created by the bonfires.

Scholars have often compared Bhogi to the Indra Vizha celebrated by the Chola kings at Kaveripattinam, also known as Poompuhar. Indra Vizha was celebrated in honor of Lord Indra, also called Bhogi, the God of thunder and rain. It is believed that on this day, Lord Krishna lifted the Govardhan Mountain on his little finger to shelter his people and save them from being washed away by the rains and floods.

It is also compared to Bhogali Bihu, the harvest festival of Assam, celebrated in January. Assamese build thatched pavilions where they have grand feasts. The pavilions are burnt down the following day as part of the festivities.

The second day is Perum Pongal, the most important one. It is also called Suryan Pongal because people worship Surya, the Sun God and his consorts, Chaya and Samgnya. Women decorate the central courtyard of their homes with beautiful kolams, done with rice flour and bordered with red clay. The kolam also bore sociological significance and even today is religiously performed as a threshold ceremony before dawn in traditional households. The idea of Kolam is that insects will feed on it, and bless the household for the food. The Tamilian sense of charity did not fail to remember the insects!

Traditional Kolam

Plantain leaves are placed on the kolam on which vegetables and other farm products such as sugarcane, turmeric bulbs and coconuts are arranged. The offerings (padayals) are usually five in number, one each for Ganesha, Surya, Indra, Agni and the sacred lamp. A tiny idol of Ganesha, made of turmeric paste, is also placed near these offerings.

The pongal dish is cooked exactly at the moment when the new month is born. Traditionally, it was cooked on a hearth specially built for the occasion. Of course, these days, the hearth has been replaced by the gas/electric stove in the west where Tamilian has migrated. The pot in which the food item is prepared is adorned with flowers, turmeric roots and leaves.

There are several legends associated with Perum Pongal. A sage named Hema is said to have prayed to Lord Vishnu on the banks of the Pottramarai tank in Kumbakonam. On Perum Pongal day, the lord is believed to have taken the form of Sarangapani and blessed the sage. Yet another legend has it that Lord Shiva performed a miracle on this auspicious day by causing a stone image of an elephant to eat a piece of sugarcane!

The third day is Mattu Pongal, celebrated to glorify the cattle that help farmers in a myriad of ways. On this day, the cows are bathed and adorned with vermilion and garlands. In certain villages in southern Tamil Nadu, a bullfight called manji-virattu is held in the evening. Bags of coins are tied to the sharpened horns of ferocious bulls that are let loose in an open ground.

Manji-viratu

The young men of the village vie with each other to subdue the bull and grab the bags tied to the horns. In fact, in ancient Tamil literature, men had to subdue the bull in order to win the hand of a fair maiden and even Lord Krishna is believed to have defeated seven bulls before marrying Nappinnai. Unlike in Spanish bullfights, in manji-virattu, the bull is never killed.

Mattu Pongal has little significance to city folks. In most urban homes, the day is celebrated as Kannu Pongal. Special prayers are offered by women for the well-being of their brothers. The Tamils also remember their great poet Tiruvalluvar on this day and call it the Valluvar Thinam. On this day in honor of this great sage who was the law giver of the Tamilian race many seminars and debates are held in public forum.

The last day is Kaanum Pongal. During this part of the festival families used to gather on the riverbanks and have a sumptuous meal (kootanchoru). Even to this day when children get together and cook, it is called Kootanchoru! It is also time for traditional dances such as kummi and kolattam etc.

Kolattam Kummi

In recent years, this day has been celebrated as Uzhavar Tirunal meaning farmers day in honor of farmers who are the back bone of an agrarian society.

Author Kumar Punithavel can be reached at kumarpunithavel@yahoo.com

[Photos Courtesy of: Tamil Festival, Foods & Fanfare]

Photo Essay: Thai Pongal, at Sri Ponnambalawaneswarar Devasthanam, Colombo 13 on Jan 15th, 2007-by Dushiyanthini Kanagasabapathipillai

Comments off

Sinhalization of Ravana and Un-deification of Rama

Excerpts from article by By: Dr.Rajasingham Narendran, in transCurrents.com:

“Ramayana is an epic that pre-dates the Mahabharatha. The Ramayana, though originally composed by Valmiki Rishi in Sanskrit, has been reproduced in many languages through the centuries. The Tamil version composed by Kamban, reflects the best in Tamil poetry, values and culture, although following the line of the story in Valmiki’s original. The Ramayana has also influenced the cultures as far flung as Thailand, Indonesia, Timor, Philippines and Cambodia. Lanka plays an important role in the Ramayana, as the plot unfolds in its manifold facets representing all aspects of human life, behaviour, thought and values, set against the background of what are eternal truths, un-impeachable ethics and divine values. The lessons to be gleaned from the Ramayana, will remain valid and valuable to humankind, as long as we aspire towards higher humanistic goals and cease our head long descent into soulless consumerism and the accompanying barbarism. It is an epic made for eternity. It is a story holding a meaning to males and females of all ages, pursuits and stations in life. It is a priceless jewel in humankind’s crown!”

“P.K.Balachandran in an article titled ‘ Ravana is hero for Sinhala nationalists’ (Hindustan Times of 4th Nov.2007) states, ” The Ramayana is not part of mainstream Sinhala religious tradition in Sri Lanka, because Buddhism has been the religion of the majority of Sinhalas for long. But ancient Sinhala works like Rajavaliya and Ravanavaliya identify Ravana as a Sinhala king and extol him as a great one. In modern Sri Lanka, there has been a movement to revive Ravana as a cult figure, who represents Sinhala or Sri Lankan nationalism because he was among the first in the island’s history to have resisted an alien/ Indian invader. Ravana’s ten heads represent the ten crowns he wore as a symbol of his being the sovereign of ten countries “. Balachandran also states that the book ‘Sakvithi Ravana’ published in 1988 by Ahubuddu claims that Ravana reigned over Sri Lanka from 2554 to 2517 BC. While Ravana’s ancestors ruled over what is now the Pollonaruwa district, Ravana himself is claimed to have ruled over the whole of Sri Lanka.”

[King Ravana, at Thirukoneswaram Temple, Trincomalee - Pic:HA]

“To question the collective memory of a people as recorded in the Ramayana is foolishness indeed. The DMK under Muthuvel Karunanithi has barged into an area, where even angels will fear to tread, by questioning whether Rama had a degree in engineering to design and build this bridge. Did the builders of the Madurai Meenachiamman temple and the Tanjai Sivan temple-standing monuments to the building skills of our ancestors- have higher degrees in civil engineering? Karunanithi has also gone on to call Rama a drunkard. Karunanithi was insulting the very foundations of his people’s faith with an insensitivity born in arrogance, if not ignorence. It is this very same Dravidian movement that at one time disparagingly questioned where Saraswathy- the Hindu Goddess of learning- called ‘Naa Mahal’ ( resident Goddess of the tongue or human sound) would be performing her excretory functions!”

Cick here to read the full article: Sinhalization of Ravana and Un-deification of Rama

Comments off

Tamil TV Broadcaster felicitated on Silver Jubilee Day

S. Visvanathan, Director (Tamil Unit) of the Sri Lanka Rupavahini Corporation and a popular TV Broadcaster has been honoured and felicitated in recognition and appreciation of his inestimable service he has rendered in the sphere of broadcasting for the last 25 years with dedication, devotion, high sense of discipline and total commitment.

Mr. Visvanathan hails from a respectable and illustrious family which has produced veteran musicians and dancers of international repute.

His father, ‘Kalabhooshanam’ Dr. Shanmugampillai, a veteran Mirudhanga Vidvan, and his mother late Mrs. Vijayalucksmi Shanmugampilli was a dancer who was held in high esteem by all the art lovers for her humane qualities.

His sister ‘Kalasuri’ Vasugi Jegatheeswaran is a dancer of international repute who has been honoured by Dr. Pathma Subramaniyam for the immense service she does in the field of dancing. She is the only dancing teacher who has presented more than 77 Bharatha Natya Arangetrams up to now.

Mr. Visvanathan is a science graduate (B.Sc) and a Diploma holder in Journalism and TV Broadcasting. This television training programme was conducted by a Canadian TV expert and was organized and arranged by the Ministry of Information. Mr. Visvanathan also learned TV programme techniques in Netherlands.

Comments off

« Previous entries ·
Google